As an actor and theatre maker, I often wonder if it's wrong that I hold poets, dancers, and musicians in higher esteem than many of my fellow thespians. I see their art as somewhat more profound, concise, holding greater depth. I suppose the word I'm looking for is sophisticated.
Poets worth their weight have a way of condensing their thoughts, emotions, and concepts into tiny packages with either too many meanings, or a profundity that strikes too hard a blow, for such few words. The same goes for a good dancer or choreographer. To think the only way some people can express themselves is through movement- to think one can say more than a two hour play. To understand Louie Armstrong clearer when he plays his trumpet than when he sings- or feel Mahler's deep sorrow in his symphonies: these moments evoke my wonder and envy.
It's probably comes as no surprise then, that within the performing arts I see a spectrum.
On one end, we have the concrete: movies, prose, kitchen sink theatre.
On the other end are our poets, dancers, musicians. For lack of a better descriptor, I'll label this end 'Abstract'.
I'm not saying there is no place for the concrete- it serves it's purpose, and there are masterpieces which sit at that end.
Nor do I want to place the abstract on too high a pedestal: for I've seen too many artists commit author-suicide by way of empty words, movements, and sound.
But when I visit the theatre, I want to see actors dance and sing a poet's story. I want to see where the two ends of the spectrum meet. I don't want everything spelled out in ten foot letters. I want to see, to feel the truth in the movement of a limb, or the utterance of a few words- or simply in a gaze and sigh.
In Brisbane, we often label this as 'Physical Theatre'. Which saddens me. Most often because when I see a lot of our 'physical theatre', I see what equates to a musician's scales, a ballet dancer's barre work, a poet's hidden sketchpad exercises; combined with shock-rock-gimmicks of costume and makeup. Which may make an unsuspecting public squirm for a few moments- but gives nothing to those of us who can match their physical feats in rehearsal- and are used to seeing real goth aesthetic, not their safe faux-goth stereotypes.
Perhaps this is why I haven't been to see much theatre lately.
That, and methinks I need a second job....